Urfaust (NL) - Verräterischer, Nichtswürdiger Geist

Album Verräterischer, Nichtswürdiger Geist
Genre Black Metal with Clean Vocals
Year 2005
This is one of my favourite albums.When I listened To Verräterischer, Nichtswürdiger Geist I was unimpressed by the untrained vocals, the dumbed down guitar, and drums.
Through later listening I almost cried by how genius the instrumental tracks are! The songs that really blew me away were Ragnarök Mystiker, In den weiten öden Räumen, Trauerhöhle and Verflucht das Blenden der Erscheinung.
in spite of not not understanding the lyrics I can feel the emotion in the vocal melodies. In Verräterischer, Nichtswürdiger Geist the Synth is used to harmonize with the rough and distorted vocals. You would think that the poor sound quality was the fuzz you hear in most songs but that is the Synth working with the guitar and vocals.
I looked up the band when I started this review and discovered that there is no bass in Verräterischer, Nichtswürdiger Geist.


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Hail to the Power of Ale! (Captain Morgan's Revenge - Alestorm)

Having built up a predictable cult following for their self-styled brand of "true Scottish pirate metal" at numerous local gigs and across two impressive E.P.s, Perth's Battleheart changed their name to the more tell-tale Alestorm and recorded their first full-length album on Napalm Records, due for an eagerly anticipated January 2008 release. The notion of mixing speedy, raucous power metal with a pirate concept is nothing new, harking right back to Germany's Running Wild in the late eighties, but it's a particularly intelligent commercial endeavour in a decade that has seen trashy Hollywood blockbuster 'Pirates of the Caribbean' and its ilk capturing the hearts of this generation's lowest common denominator audiences with their superficial take on piracy. Personally, I preferred the 'Monkey Island' games.

What makes Alestorm so impressive is that the band has never allowed the gimmick to overshadow the quality of its music, putting their full energy into Dragonforce-styled power metal, albeit yelling tales of seafaring conquest and trezer huntin' rather than falsetto epics about dragons, and even going the whole hog into authentically recreating the sea shanty for the less serious numbers. Having finally come together as a fully operational unit after a couple of years of vocalist/keyboardist Christopher Bowes and guitarist Gavin Harper playing against a programmed rhythm and bass section, the band compensates for its lack of virtuoso talent with its passionate, nationalistic dedication to spreading the true Scottish pirate metal Word that will inevitably inspire a number of lousy imitations in its devastating wake. With cutthroats Dani Evans and Ian Wilson coming aboard to handle bass and drum responsibilities respectively, the Alestorm vessel is in a fine position to conquer the metal world once this debut is released next month - most likely in a Dragonforce manner that will see them overly hyped and derided in equal measure before making way for the next fad. Young metal fans are so fickle.

As anticipated, the band selects the finest bounty from their earlier E.P. releases (alright, I'll desist with the pirate lingo) and makes these the foundation of this longer work, while surprisingly forsaking the customary instrumental openings in favour of a more consistent metallic approach, something that demonstrates their impressive forward-thinking compared to fading genre superstars such as Rhapsody of Fire and Manowar, whose most recent offerings were atrociously pompous affairs riddled with narrative padding. The pirating concept figures prominently into all of these songs as can be discerned from the titles, but despite going for the obvious themes (maps, battles, wenches, trezer), it never feels like a diluted pantomime version of piracy, and it's clear the band has done its research to add authenticity.

Bowes' vocals take on a distinct piratey persona, growling in a gritty folk style on the slower and mid-range songs but being forced into a more traditional metal style in the faster offerings later in the album, reminiscent of Megadeth's Dave Mustaine, and the lyrics will stay with the listener afterwards just as much as the catchiest guitar moments. Each major song is afforded an extensive instrumental section for solos and such, which is actually something of a mixed bag (of pieces o' eight?): Harper's guitars are pleasant enough in their classic metal approach, but Bowes sticks to his cannons with consistent keyboard solos in the glitzy style of Dragonforce that serve to spoil the historical, nautical mood that the band has somehow achieved through anachronistic rock instruments.

There is a distinctive Alestorm "sound" to be found across this album, despite its commendable diversity, and while rooted in modern power metal it borrows extensively from folk metal in the style of label-mates Týr and the Swedish Viking bands such as Månegarm. While it doesn't take on this style as much as I would perhaps like, this at least allows it to develop independently as a distinct entity, and may one day lead to a gloriously debauched battle between the heavy metal pirates and Vikings, one that the fantasy-themed bands can observe from the safe distance of an overhead dragon and write an epic poem about at a later date. Despite its distracting prominence in the solo sections, Bowes' keyboard is the vital background ingredient of this atmosphere, sweeping in a synthesised symphony over the more eloquent passages but mostly taking on the sound of a nautical accordion that works perfectly against the rock instruments even more successfully than I could have hoped, benefitting from the band's newfound high production values.

1. Over the Seas
2. Captain Morgan's Revenge
3. The Huntmaster
4. Nancy the Tavern Wench
5. Death Before the Mast
6. Terror of the High Seas
7. Set Sail and Conquer
8. Of Treasure
9. Wenches & Mead
10. Flower of Scotland

'Over the Seas' really is the perfect introduction to both the sound and concept, and along with 'The Huntmaster' represents the oldest material here, originating on the first 'Battleheart' E.P., but now with added live bass and drums. With middling speed and a chugging style still rooted in their forebears Running Wild, these two songs betray their early conception compared to the rest, but this makes them more suitable to establish the scene that will later be exploded to new heights. Doubtless some listeners will come to this album purely for the cheap thrill of hearing some pirate songs, and with refrains like "with the power of ale, he could not fail," these songs can satiate and inaugurate the casual listeners before unleashing some true metal fury.

In-between these older offerings is the first brand new song in the form of the title track (the title itself is perhaps an obscure reference to the band's earlier instrumental 'The Curse of Captain Morgan'; the sort of trivial footnote that may find its way into a future Wikipedia entry) and the band's sound shows a noticeable development. The speed ranges from full-pelt thrashing to a steadier jig style once again, and the instrumental prominence in this epic piece makes it comparable to Iron Maiden's own seafaring epic 'Rime of the Ancient Mariner,' only shorter, and shows great use being made of the studio facilities. It's one of the most typically power metal songs on the album and thus one that should be eagerly plundered by Dragonforce fans, something that is sped along by the chorus melody sounding more or less directly lifted from that band's 'Black Winter Night.'

'Nancy the Tavern Wench' is the first of three songs to follow a significantly slower, folk-based style with the metal as a mere support, and one of two songs along with 'Of Treasure' to revive the traditional sea shanty in a thoughtful manner, sounding similar to folk metal deviations such as Týr's memorable take on 'The Wild Rover.' Once again, the band stays true to its creative vision without lapsing into self-parody (they're obviously having a whale of a time playing this stuff, but it isn't just a joke to them), and the lead accordion effect of 'Nancy' is fitting as its take on a female character's "theme." The later 'Of Treasure' (oh, so that's how you spell it) goes even further, based on acoustic guitar and flute and even introducing one of those springy things that are such a staple of Viking metal in the works of Bathory, Månegarm and Moonsorrow. I don't know what it's called, but I have a deep-seated fondness for its daft simplicity (please enlighten me if you know). The only other song to fall into this general style is actually very different, but shares camaraderie for relegating the rock instruments to the background; the closing track is the band's patriotic dedication to their Scottish homeland, the keyboards scoring extra points for producing a regal flair and not resorting to clichéd bagpipes, as the band chants the Corries' 'Flower of Scotland' with pride, before presumably launching into a rugby game on deck after the album closes. This finale is the least impressive song, but works as a fine coda, while the other two work brilliantly to break up the album without the need for (God forbid) ballads. After all, what would be the interest in a sensitive pirate?

The remaining bulk of the album showcases the band at its fiercest and finest, mostly coming from the excellent second E.P. 'Terror on the High Seas' and likely presenting the band's direction for the future, away from the slower narratives that characterised the album's first half. Now that the band has frequented the taverns and indulged in their trezer hunting deals, it's time for some serious conquest and pillaging as the seabound equivalent of Manowar's metal warriors, often spouting comparably ridiculous lyrics. 'Death Before the Mast,' the only other "new" song, is the band's most thrash-based offering, featuring significantly faster verses that Bowes tackles in a manner similar to Megadeth, but the style is perfected in the band's crowning glory, 'Terror of the High Seas' (undergoing a slight alteration from its earlier form, not least in its title). This is currently the band's classic, with their finest guitar riffs and their most dynamic performance recorded to date, perfectly suited to its violent lyrics.

'Set Sail and Conquer' is a little less brilliant, slowing down as the lyrics take on a less riveting self-confidence in the pirates' inevitable victory and thus lack the adventurous spirit of the previous song, metaphorically docking at Port Manowar as Bowes regurgitates that band's clichés of divine providence, the fight until death and the laughter over dying foes. Although it's still a highly enjoyable song, spoiled a little by the pompous lyrics, there comes a surprising turnaround with the instrumental/solo section in the second half that ends up being the most substantial and varied of the album, building on the efforts of the previous two songs and inserting a soft jig section for atmosphere similar to the earlier title track. This is some of the strongest evidence that this band really is a force to be reckoned with, particularly as its relatively fresh musicians are free to hone their talents on future releases.

If the album was capable of serving up even more excitement over this new band, it delivers it wonderfully with the penultimate 'Wenches & Mead'; forebodings of a cop-out comedy song certainly, but the band launches into character as metal pirates to such a degree that there's never any doubt of their sincerity, however ludicrous the lyrics ("Hey, hey, I want more wenches / Lots of wenches is what I need"). As well as going all-out on the debauchery front, this arguably represents the perfection of the synthesis between metal and sea shanty in equal measure, as the lead accordion is as prominent as the guitars and drums.

Alestorm is certainly one of the most exciting metal bands of the moment, and one that shouldn't be unfairly judged as a mere gimmick - there's some work to be done on the technical front, and more trezer and wenches to pillage before they can bottle another recording and send it back to shore with tales of their further exploits, but 'Captain Morgan's Revenge' is an incredibly fun and high quality album of modern heavy metal. Released in the UK on 28th January 2008.

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http://infernalmistery.blogspot.com (Password)

Sir Arthur C Clarke: 90th Birthday Reflections

Sir Arthur C Clarke completes 90 orbits around the sun on December 16th.Today, the Clarke Orbit has over 330 satellites. Sir Arthur C. Clarke, a science-fiction author, inventor, and futurist, simply a greate mind celebrates his 90th birth anniversary.Clarke is the last surviving member of what was sometimes known as the "Big Three" of science fiction, which included Robert A. Heinlein and Isaac Asimov.
Clarke has lived in Sri Lanka since 1956, immigrating there when it was still called Ceylon, first in Unawatuna on the south coast, and then in Colombo. Clarke holds citizenship of both the UK and Sri Lanka. He long has been an avid scuba diver and a member of the Underwater Explorers Club; living in Sri Lanka has afforded him the opportunity to visit the ocean year-round. It also inspired the locale for his novel The Fountains of Paradise, in which he first described a space elevator. This, he believes, ultimately will be his legacy, more so than geostationary satellites, once space elevators make space shuttles obsolete.
In 1988, he was diagnosed with post-polio syndrome and has needed to use a wheelchair most of the time since then. On 10 September 2007, while commenting on the Cassini probe's flyby of Iapetus (which plays an important role in 2001: A Space Odyssey), Clarke mentioned that he now is completely wheelchair-bound by polio, and does not plan to leave Sri Lanka again.
On 14 November 2005 Sri Lanka awarded Arthur C. Clarke its highest civilian award, the Sri Lankabhimanya (The Pride of Sri Lanka) , for his contributions to science and technology and his commitment to his adopted country.
Dear Sir Arthur C Clarke, we are expecting you to complete 100 orbits around the sun and more...

Murali, The Wizard

Muttiah Muralitharan (born 17 April 1972 in Kandy, Sri Lanka), often referred to as Murali or as The Wizard,is a Sri Lankan cricketer who was rated as the greatest bowler ever by Wisden Cricketers' Almanack in 2002. He is Test cricket's highest wicket-taker, having overtaken the previous record-holder Shane Warne when he bowled Paul Collingwood for his 709Th Test wicket, in Kandy, his home town, on December 3, 2007. He is also second in the list of One Day International wicket-takers.
In spite of these facts he is also the world's most controversial cricket player as it became a governments issue between Australia and Sri Lanka.

Controversy of bowling action

Initial concerns as to whether Murlitharan's action contravened the laws of the game by straightening his right arm further than is allowed while bowling broke into open controversy after Australian umpire Darrell Hair called a "no ball" for an illegal action seven times during the Boxing Day Test match in Melbourne, Australia, in 1995. Australian Sir Donald Bradman, universally regarded as the greatest batsman in history, was quoted as saying it was the "worst example of umpiring that [he had] witnessed, and against everything the game stands for. Clearly Murali does not throw the ball".
In 1999 he was once again called for throwing by Ross Emerson during a One Day International against England at the Adelaide Oval in Australia. The Sri Lankan team almost abandoned the match, but after instructions from the president of the Board of Control for Cricket in Sri Lanka, the game resumed. The Sri Lankan captain at the time Arjuna Ranatunga, was later fined and given a suspended ban from the game as a result.
It later emerged that at the time of this match Emerson was on sick leave from his job due to a stress-related illness and he stood down for the rest of the series. Muralitharan has voiced his frustration at routinely being heckled by Australian crowds who accuse him of throwing - one common jeer directed at him was "No Ball!". Following the then Australian Prime Minister John Howard's statement that Murali was a "chucker", Muralitharan indicated that he would skip future tours to Australia.This incident marked as a black mark in history of cricket.Australians showed their real face behind the mask it revealed their state of values.However John Howard faced the consequences losing his seat in the parliment.
This is the final conclusion; no matter how hard they try Murali will continue his game as he always did.There are shit load of comments you can find in the internet which state against Murali but the for our suprise the profiles of the people who commented says that they are from Australia.
The answer for all these is "The moon doesn't heed the barking of dogs"

The cat that has more than nine lives

There are many a daily reminder in different forms of the ongoing conflict in the northeast, but EPDP Leader Douglas Devananda remains one living reminder. A fortunate man who survived some 11-assassination attempts, one would say that he is the cat that has more than nine lives.
Douglas Devananda is the only surviving Tamil minister in the ruling Sri Lankan government alliance after the assassination of Foreign Minister Lakshman Kadirgamar.
He lives in a leafy, upscale neighbourhood in the Sri Lankan capital, Colombo, with doctors and businessmen for company.
But his neighbours hardly get a peek of the minister of agricultural marketing and development and Hindu affairs, and the most heavily guarded Tamil politician in the country.
The 50-year-old guerrilla-turned-politician, who leads the Eelam Peoples Democratic Party and is implacably opposed to the Tamil Tiger rebels, lives in a fortified building.
He has survived a number of attempts on his life - at least 11, says an aide - allegedly by the rebels.
Last July, a girl suicide bomber came visiting him. When his security men took her to the local police station, she blew herself up there, killing four people.Herein I have posted the video...
In 1998, Mr Devananda was bludgeoned and knifed inside a jail where was visiting prisoners. He lost his sight in one eye.He was attacked by 15 LTTE suspects.They stabbed and clubbed him several times including on his head and eye.But still they couldn't kill him as he fought so hard making severe damages to the LTTE inmates.It is said that finally he was clubbed on the head and fell on the ground cursing LTTE while LTTE cardres were cheering their leader .
Four years earlier, jeep-borne rebels carried out a daring commando attack on his residence in Colombo.
The gun battle killed four of his security guards. "We fought, I survived," he says.
"I live in a bunker," Mr Devananda tells people when they ask him about his home.
In 1983 he was arrested(At that time he was fighting against the government) and sent to the Welikada prison located in Colombo.
It was the time of Black July and Sinhalese extremist were killing Tamils in the capital responding to Tamil seperatists' act of killing 13 soldiers in Jaffna..
So the inmates in the Welikada prison, while most of them were Sinhalese started killing Tamil inmates.Dozens of inmates came to attack Douglas Devananda and other Tamil inmates.They had clubs, knives, stones everything available but with this Fatah trained,Karate black belt owned Douglas Devananda fought bravely and managed saved his life causing fatal wounds to the opponents.
He was able to escape from the Baticollo prison in 1984 and he decided to flee to india.When he and few of his mates were going to India, their boat sunk in the middle of the sea.While others consumed cyanide and commited suicide he decided to swim and miraculously came to the shore after hours of swiming.Even in India he faced the death and won.
What I believe is that the secret behind his life is his undying passion to give up at nothing which has proved in many times.He is a true legend of our time may be the luckiest person in the world at the moment.Long live Mister Devananda!!

Tamil Tiger (LTTE) suicide bomber live video in Sri Lanka

I believe that this is the world's 1st ever video containing the live brutal action of a suicide bomber..So please stop supporting LTTE terrorism....think what that woman achieved killing that innocent person who was also a Tamil while LTTE brag about the liberation of Tamil people....Think about the fear and disgrace we feel when we see a Tamil woman wearing saree after seeing this???

The Fountains of Paradise

Since Sri Lanka is my motherland I thought of posting some interesting information related to Sri Lanka.Here this is going to be the first post... Note this article was directly taken from wikipedia..




The Fountains of Paradise is a 1979 novel by Arthur C. Clarke. Set in the 22nd century, it describes the construction of a space elevator. This "orbital tower" is a giant structure rising from the ground and linking with a satellite in geostationary at the height of approximately 36,000 kilometers (approx. 22,300 miles). Such a structure would be used to raise payloads to orbit without having to use rockets, making it much more cost-effective.

In the novel, Clarke uses the life of the ancient king Kalidasa to foreshadow the adventures of engineer Vannevar Morgan in his single-minded determination to realize the space elevator. Subplots in the novel include human colonization of the solar system and the first contact with extraterrestrial intelligence. Clarke also hypothesizes that religion in humans is a consequence of sexual reproduction, although the idea does not play a central role in the novel. The Fountains of Paradise is set in the fictional island country of Taprobane, which Clarke has described as "about ninety percent congruent with the island of Ceylon (now Sri Lanka)". The ruins of the palace at Yakkagala as described in the book very closely match the real-life ruins at Sigiriya in Sri Lanka.

In the novel, Clarke envisions a microscopically thin but strong "hyperfilament" that makes the elevator possible. Although the hyperfilament is constructed from "continuous pseudo-one-dimensional diamond crystal" [pg.45] in the novel, Clarke later expressed his belief that another type of carbon, Buckminsterfullerene, would play the role of hyperfilament in a real space elevator.

The latest developments in carbon nanotube technology bring the orbital elevator closer to possible realization.

The epilogue shows an Earth with several space elevators leading to a giant, "circumterran", space station that encircles Earth at geostationary altitude. The analogy with a wheel is evident: the space station itself is the wheel rim, Earth is the axle, and the six equidistant space elevators the spokes.

The scientist who wasn't awarded with Nobel Prize: Dr. Cyril Ponnamperuma of Sri Lanka

Dr. Cyril Ponnamperuma (1923 - 1995) was born in Galle, Southern Capital of Sri Lanka. He received his doctorate in chemistry from the University of California, Berkeley in 1962 under the direction of the Nobel Laureate Professor Melvin Calvin. His laboratory studies were focused mainly towards the origin of life and it was only when he was selected as a principal investigator for analysis of the moon dust collected in the Apollo Programs that his name and photo appeared on the cover-pages of prestigious world class newspapers and magazines such as The Time and Newsweek. He was one of the dicoverers of DNA with Francis Crick et James Watson, and one of the main writers on the panspermia theory. With Francis Crick, he tended to the thesis that prebiotic complex molecule form in space rather than of the surface of planets, and get hosted later within protective cells naturally found in planets water. In 1965, as research scientist at NASA's Ames Research Center in California, he discovered striking evidence that the independently developed biochemistry on any more or less earth-like planet anywhere would be the same or at least highly similar than that on the Earth. He duplicated the postulated conditions of the primeval earth, and found out that the common and important constituents of life such as amino acids, purines, sugars, etc., tend to appear in the system, while highly exotic substances do not. The discovery was published in the Proceedings of the Conference on the Exploration of Mars and Venus, Blacksburg, Virginia, 1965. He later was the head of the Exobiology division at NASA's Ames Center.

Arts of Marilyn Manson

Manson claimed in a 2004 interview with i-D magazine to have begun his career as a watercolor painter in 1999 when he made five-minute concept pieces and sold them to drug dealers. On September 13-14, 2002, his first show, The Golden Age of Grotesque, was held at the Los Angeles Contemporary Exhibitions Centre. Art in America's Max Henry likened them to the works of a ‘psychiatric patient given materials to use as therapy’ and said his work would never be taken seriously in a fine-art context, "the value was ‘in their celebrity, not the work’.[9] On September 14-15, 2004, Manson held a second exhibition on the first night in Paris and the second in Berlin. The show was named ‘Trismegistus’ which was also the title of the center piece of the exhibit – a large three headed Christ painted onto an antique wood panel from a portable embalmbers table.

Celebritarian Corporation is the name that Manson has given to his self proclaimed art movement. Manson has coined a slogan for the movement: “We will sell our shadow to those who stand within it.” In 2005 he said that the Celebritarian Corporation has been "incubating for seven years" which if correct would indicate that Celebritarian Corporation, in some form, started in 1998.[10] Manson has stated that he chose the name 'Celebritarian Corporation' because he believes that it provides "a further irony into what it represents", since the word Celebritarian could be construed as a pro-celebrity status.[citation needed]

Celebritarian Corporation is also the namesake of an art gallery owned by Marilyn Manson, called the Celebritarian Corporation Gallery of Fine Art in Los Angeles for which his third exhibition was the inaugural show. From April 2-17, 2007, Manson's recent works were on show at the Space 39 Modern & Contemporary in Florida. 40 pieces from this show travel to Germany's Gallery Brigitte Schenk in Cologne to be publicly exhibited from June 28 - July 28, 2007. Manson was refused the entrance to the Cologne Cathedral, better known under the German name Kölner Dom, when he was in the city to attend the opening night. This was, according to Manson, due to his makeup. Other sources gave different reasons, however.

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Marilyn Manson - Behind the music

And the third angel sounded and there fell a great star from heaven, burning as it were a lamp, and it fell upon the third part of the rivers, and upon the fountains of waters;

And the name of the star is called Wormwood: and the third part of the waters became wormwood; and many men died of the waters, because they were made bitter.

Revelation 8:10-11


As early as 1998 when he first delved fully into painting, Marilyn Manson has been one of the world's most notorious connoisseurs of the legenday spirit, absinthe. First referenced heavily as being integral to the creation process of 2000's Holy Wood (In The Shadow of the Valley of Death), it was 2003's Golden Age of Grotesque as Manson's homage to art, expressionism, late Nineteenth Century Parisian decandence and Weimar era "Degenerate" Art where Manson could scarcely be seen without a milky glass of the green spirit as his accessory.

Begining in mid-2005, Manson has been quoted in the press about his desires to produce his own line of absinthe and it was circa this time period in which he and Markus Lion, owner of Absinthe.de, casually began talks about this prospect. Two years later, Mansinthe is finally released, a high quality spirit distilled from grand wormwood, anise, fennell and other fine herbs. With other demagogue celebrity lines of absinthe sold by Absinthe.de such as H.R. Giger and the late Jhonn Balance (of the seminal and highly influential group Coil; see COIL & THE OCCULT), Manson is in good company with the lineage of his brand.



A bottle of France's most potent absinthe adorns one corner, replete with requisite grated spoon; During writing/recording, Manson imbided a great deal of this exotic, potentially dangerous import, he says, so much that the whole process began to teeter on the brink of self-destruction. The liqueur company - in a show of friendship - even sent its illustrious client a branch of the absinthe base element, wormwood.

"Wormwood tied into the album on a couple weird levels, because it was supposed to be a poison that God sent down to taint the waters to punish mankind. And it's related to King Solomon, who - as legend has it - had a ring that contained a worm which, when unleashed, could supposedly devour the world. Just like the serpent in [Norse mythology's Armageddon] Ragnarok, forever eating its own tail."

Marilyn Manson in Alternative Press. November 2000

Zeitgeist The movie

I find it very difficult to give a review about that film........Its mind cracking,astonishing and sometimes hard to believe narration keeps me still high on thirst for revelation! If you havent watch that movie yet, then you should give a try....but as I always say think it outside the box and don't take decisions until the end.You will find it difficult to continue as it keeps shaking your beliefs.So I advice you to convert your beliefs into facts for a short time

When we talk about the elements of the film roughly it says "Religions in general, and Christianity in particular, are primarily systems of social control. 9/11 was an inside job and the destruction of the WTC twin towers and building 7 were aided by controlled demolition. And finally, International Bankers, through the Federal Reserve and the Council on Foreign Relations (CFR), control our money and our future, leading to, a coming One World Government"

I will continue posting more about this in the near future.You can watch the film directly through this link.

http://zeitgeistmovie.com/

Conspiracy Theory - Definition

According to Wikipedia the definiton of Conspiracy Theory "A conspiracy theory usually attributes the ultimate cause of an event or chain of events (usually political,social,pop culture or historical events), or the concealment of such causes from public knowledge, to a secret, and often deceptive plot by a covert alliance of powerful or influential people or organizations."

I see conspiracy theories in a bit different way.....it gives you more explanations about a single chain of incidents.In every incident you can see subtle changes as everything is connected relatively.You cannot expect an exact impregnable answer.Therefore everything happen in this universe can be connected to a conspiracy theory but what really happens is if it affected to our lives and because of that we look for a different answer we try to dig into it.Otherwise we dont give a crap about it.So what I am going to present you is not the exact explanation but a possible one